That's Brutal, What's Modern?

Mark Linder offers a new understanding of New Brutalism as a consequential, generative, and still pertinent episode in the history of imaging practices in architecture. His core thesis is that the most distinct identity and enduring influence of New Brutalism resides in Alison and Peter Smithson's fitful and evolving fifty-year fascination with the imaging potential they found in the work of Mies van der Rohe.