It is no coincidence that Open Firmament begins with the quotation of the epitaph of Rainer Maria Rilke, whose verses have crossed m like invisible birds that hurt me with such beauty that it remains intact after flight. Absence is the abyss that m face without fear or hope, only with the emotion of someone who observes with the new eyes of a child the transparency of cada wing of heaven that passes, again and again, stripping new skies that open a l the infinity of the poem, the longing, the flower of Novalis and a primordial fire from the first poem