The irruption of the 'mechanical ull ' of the fica camera into the m of architecture represents a truly unique event. From it begins a whole new and irreversible itinerary, with no return, both for a l evolution and for the public perception of architecture, and inaugurates an unprecedented dita correlative perspective of a whole new history of the discipline, of global scale and scope. These pages constitute a new approach to the phenomenon, a prudent and, consequently, tangent approach, in which intuitions are documented capable of nuancing much of the knowledge assumed regarding the interferences between the two disciplines - photography and architecture - in the beginnings of the Modern Movement. 279 p.: Fot. b/w, 20 x 20 cm, paperback.