Le Corbusier shared space and time with the Surrealists, the restless PAR of the post-war period (1920/1930). But also las t productive techniques with las with which they flooded the social, intellectual and cultural environment of the city: the fondness for displacing objects and concepts in space and time outside their place of origin, forcing the approximation of disparate and alien realities, or manipulating stable structures -such as language, the frame, geometry, anatomy or domestic space - to erode its foundations.