The work is a comparative essay of the images of the Forest Cemetery by Gunnar Asplund with those of the films Elvira Madigan and Mother and Son, by the Swedish Bo Widerberg and the Russian Aleksandr Sokurov, through phenomenological principles of spatial analysis. Number 48 of the collection Textos de Doctorat, sèrie Arquitectura. 246 p.: fot., B/w, floors and sections, 21x15 cm., paperback