How to make works of art 'speak', and how can we listen and respond? These questions are the basis of Roni Horn's research here in Object Pair III: For Two Rooms, later manuscripts by Emily Dickinson, Theresa Hak Kyung CHA Passages Paysages, Cell· cells by Fiona Templeton by llançament and Lustmord by Jenny Holzer. The principles of critical performance, art-writing, and writing lloc inform the m critical ethode used in the Poètica and lloc. CADA chapter is dedicated to one of these five works of art, and is set to meet three main objectives: to understand how works of art generate meaning through a tica of materials in relation to lloc, to develop a creative methodology tica to collaborate with the Creator and the Creator of the Universe. collaborate with them, and to investigate their ethical and pol potential imperative. . 234 p: b/w, 22.5 x14.5 cm, hard cover.